One of the most popular true-crime books.
A few weeks ago, I wrote an article about true crime books and their place in crime fiction. (You can find it here.)
Over on the CrimeReads blog, Keith Roysdon wrote a very interesting post entitled “A Brief History of the Rise—And Evolution—Of True Crime Books.” Roysdon is a former political journalist, has co-authored three crime-fiction books, and is writing fiction.
“A Brief History” goes into more details about some of the key books and authors in the true-crime genre. As the title suggests, Roysdon explains the changes that has taken place in the genre and how more changes are still taking place. And he gives us some of the major works throughout it’s history.
I recommend this article to get a better appreciation for true-crime books. It, also, shows what a great benefit many of these books have been.
You can get the link to “A Brief History of the Rise—And Evolution—Of True Crime Books” here.
By Tim Suddeth
True crime is a genre of literature that, at first glance, doesn’t seem to belong in a blog about mystery and detective fiction. But its influence on the other fiction genres and its relationship can’t be ignored.
Mankind has always liked telling the gruesome and lurid details of crime. I can picture Og, sitting by the campfire telling his clan the story about a murder, he thinks it was possibly committed by a banshee, that he had heard from his father or uncles. A true crime story contains just the right mixture of information that we might need for protection, yet it appeals to our baser natures.
True crime includes nonfiction literature, film, and podcasts in which the author examines an actual crime and details the activities of real people. It can be a case that is still in the papers, or a cold case that seems to have been forgotten. Often, the story follows the case from the discovery through the investigation and the legal proceedings.
The most important characteristic is that it is true; it actually happened in the way it is depicted, in the people involved, dates, victims, and villains. There may be some dialogue added and some speculations that are admitted, but it is based on unbiased fact. But finding facts without bias is hard to do if not impossible.
Most true crime stories involve murder, even though it makes up less that 20% of all crimes. The idea of actually murdering someone is so hard to believe that we want to get an idea of what drove the person to kill. What were they thinking? And were there signs that we should be aware of? Continue reading